Club Furies

OH! emerges as the convergence point between Massimo Paramour and Gianluca Pighi, a partnership where club-driven energy intertwines with a carefully structured pop sensibility. Their debut, We Come In Peace on Huldigung Records, unfolds across 16 tracks that navigate a broad spectrum—from post-punk roughness to the brightness of classic synth-pop. Recorded entirely on analog hardware at Elfo Studio, the album carries a distinctly tactile presence, where sound feels shaped by hand, molded in real time.

Echoes of Tangerine Dream and The Human League surface as reinterpreted traces rather than direct references. The result occupies its own territory, where past and present intersect within a shared sonic field. The vocal contributions—featuring Local Suicide, Sarah P, Tareq, and Alexander Price—expand the expressive range while maintaining a coherent direction throughout.

The production rests on a logic of physical precision. Instruments such as the Moog Subharmonicon and Sequential Prophet Rev 2 give weight and depth to each layer, forming a dense yet articulated texture. Every sound finds its place within a structure where detail enhances the flow rather than interrupting it. The listening experience reveals a careful balance between experimentation and accessibility, sustaining engagement across the album’s span.

Within the record, “Crush” drives forward with a firm dark disco pulse, while “Falling” opens into a brighter, more melodic space. These shifts build a layered narrative, allowing variation to coexist within a unified framework.

Amid this structure, “We Used To Dance” stands out as one of the album’s most emotionally charged moments. The track unfolds with elegance shaped by soft shadows and electric glimmers, its progression moving with quiet confidence. Nostalgia settles in as a warm presence, carrying a restrained melancholy that vibrates rather than weighs down.

Emotion runs through the piece at its core. Each layer introduces a distinct tonal warmth, forming a texture that envelops without overwhelming. The vocals integrate seamlessly, reinforcing a sense of intimacy that resonates physically. There’s a quality in its development that activates a diffuse memory, a resonance that lingers beneath the surface.

We Come In Peace holds together as an exercise in synthesis, where collaboration and aesthetic direction move in parallel. The result builds through consistency rather than excess, maintaining motion and leaving behind a resonance that extends beyond the listening moment.

Album Credits & Data
Artist: OH! (Massimo Paramour & Gianluca Pighi)
Album Title: We Come In Peace
Label: Huldigung Records
Catalog Number: HUL8009
Track Count: 16 Tracks
Format: Vinyl LP+12″, Vinyl, LP

Release Date: 2026
Support & Buy: HHV.DE

Technical Specs
Recording Location: Elfo Studio, Northern Italy.
The Gear: 100% hardware-driven. Featured synths include the Moog
Subharmonicon, Waldorf Pulse, and Sequential Prophet Rev 2.
The Sound: No VSTs. No samples. Pure analog signal paths inspired by John
Carpenter, John Foxx, and Krautrock pioneers.

OH!

SoundCloud | Instagram | Threads | Bandcamp | Linktree | Massimo Paramour | Gianluca Pighi

Tareq

Website | SoundCloud | Instagram | Threads | Facebook | Bandcamp | Linktree

Club Furies

Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree